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The ComixTalk 2010 Roundtable

For this year's roundtable we talked about favorite and new webcomics from 2010, the impact of the iPad and other digital devices, the changes in the comics industry landscape, awards for webcomics and much more about the state of digital comics in 2010.  I'm joined by Brigid Alverson, Larry Cruz, Lauren Davis, Brian Heater, Heidi MacDonald, Rick Marshall and Gary Tyrrell.  

SPX and Intervention 2010 Report

SPX 2010Intervention 2010Wow! SPX and Intervention in one long weekend of comics; it took me awhile to recover and get back to writing up lessons learned.  I felt a little stretched trying to cover ground at both conventions --  but it looks like no one will have to do that again as Intervention will almost certainly be on a different weekend in the Fall next year. Ideally, Intervention would be in the summer or spring to really separate it from SPX, but co-creator Oni Hartstein explained that a Spring date for the show would be cost prohibitive.

SPX was more of the same as it has been since the move to the Bethesda Convention Center -- one big room filled with rows and rows of comic creators talking about their comics with books and swag to sell.  The presence of webcomics at the show grows every year -- this year Kate Beaton was the rock star of the show, with lines longer than anyone else had.  Jeph Jacques' table and a whole group of webcomics at one corner of the room were all pretty constantly crowded from what I could tell.  It's kind of a no-brainer when you say it out loud, but if you have a webcomic with a decent to more than decent sized audience, SPX is potentially a really good show.  People are there for the comics and outside of New York, this is one of the best places on the East Coast to see a whole lot of the entire spectrum of comics.

Grey Vampires and Green Cowboys

Gus and His Gang by Christophe Blain
First Second

Vampire Loves by Joann Sfar
First Second

This is a quick examination of some color, drawing and design techniques used in two great bandes dessinées. I've kept Vampire Loves close to my drawing table for some time now, trying to glean some ideas and inspiration from Sfar's art. More recently I picked up Gus and His Gang and that's also been both enjoyable to read and to look over, saying "How did Blain do that ...?" Both artists have versatile, energetic, and very "cartoony" art styles, in the best sense of using all the tools of caricature, exaggeration, and symbolism that are available to cartoonists. They are Big Guns and worth close study. Some other artists in this vein that I enjoy, but didn't have time to fold into this post, are Kerascoet and Emile Bravo, both of whom have some work available in English (and probably a much vaster amount in French.) I hope you'll look them up!

First and Last: Player Versus Player

Back in 2006, we did a "First and Last" snapshot of PvP by Scott Kurtz.  Even then Kurtz had shown a lot of growth artistically from the origins of the comic.  It's worth revisiting PvP again, as Kurtz has probably shown even more growth since 2006 then in the period up to then.

First and Last: Anders Loves Maria

We used to do an irregularly recurring bit here at ComixTALK called "First and Last" which seemed like a good idea to revive.  Particularly with a comic like Anders Loves Maria where creator Rene Engström has not only constantly improved but also taken several stylistic leaps during the comic.

The ComixTalk 2009 Roundtable

It's the end of the year and what better time to talk webcomics with a great group of interesting creators and commentators.  For this year's roundtable we talked about favorite and new webcomics from 2009; iPhones and iTablets; developments in the business of comics; developments in the subject matter of comics; webcomic awards; and predictions for 2010!  I'm joined by Gary Tyrrell, Delos Woodruff, Shaenon Garrity, Fesworks, Derik Badman, Larry Cruz, Brigid Alverson and Johanna Draper Carlson.

A Survey of Digital Comics Readers

This article was originally published on webcomics.com in 2008.

Every few years, a traditional comics publisher makes a renewed plunge into the webcomics market. And each time they do, they feel the need to introduce some “revolutionary” new piece of comics presentation software, as if this is what some purely hypothetical online comics industry has been waiting for. “Finally,” we are meant to exclaim, “we can actually read comics online!”

Given how the vast majority of webcomics do just fine as a succession of image files on web pages, it is a curious phenomenon.

A Stray Thought on Digital Comics Hardware

This article was originally published on webcomics.com in 2008.

When reviewing reader applications for online comics, I was struck by just how much effort Marvel put into solving the problem of presenting vertically oriented comics on a horizontal screen. With multiple layout options, including full page, double page, various zooms, and their elaborate Smart Panels solution, Marvel’s designers might be a bit overly concerned with this problem; after all, most readers don’t get up in arms over vertical scrolls these days. But I do have to admit, it really would be nicer to be able to see a full page of art at a readable size, rather than having to choose between full pages with illegibly small text, or readable text on incomplete pages.

Still, after reviewing five different comics readers, all of which attempt to address this issue to one extent or another, none entirely satisfactorily, I can’t help thinking that the final answer to this issue won’t be new software, but rather new hardware.

Three Technologies I'm Just Not that Excited About

This article was originally published on webcomics.com in 2008.

I love technology. Whether it’s little gadgets like my iPod, or useful applications like Google Calendar, I love all the little tech innovations that make life easier and more fun. The first time I heard about webcomics, I was thrilled. Automated content management? Fantastic! Integration of multi-media elements into webcomics? All over it. Do I want an iPhone or a Kindle? Oh my god, yes. Can I afford them? Not remotely. But I want them nonetheless.

Webcomics Versus eBook Readers

This article was originally published on webcomics.com in 2008.

Okay, so the Amazon’s Kindle can’t handle images. Neither, for that matter, can Sony’s Portable Reader System, a similar E Ink product that arrived in 2006 but received considerably less buzz. This lack of image support has caused much complaint both within webcomics and in the general market. Obviously, a device without image support is useless to webcomics readers and creators. But the level of disappointment surprised me. It hadn’t occurred to me that webcomics readers were really waiting for a new portable display technology.